Frequently Asked Questions
THE BIG PICTURE
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HP Sync supports artists with:
Digital music distribution
Publishing administration
Sync pitching and licensing
We focus on administration, rights protection, and opportunity access - not hype or guarantees.
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We do not:
Guarantee income, streams, placements, or exposure
Act as a record label
Act as an artist manager or agent
Fund marketing campaigns unless agreed separately
If anyone promises guaranteed results, that’s a red flag.
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No. You retain ownership of:
Your master recordings
Your songwriting (compositions)
Unless a separate written agreement states otherwise.
DISTRIBUTION
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Your music may be delivered to major digital platforms including (but not limited to):
Spotify
Apple Music
Amazon Music
YouTube Music
TikTok / Instagram music libraries
Platform availability can vary by territory and release type.
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Release dates are:
Proposed by you
Reviewed and scheduled by us
Final delivery deadlines are set to meet platform requirements.
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You cannot choose:
Playlist placement
Algorithmic exposure
Editorial promotion
These decisions are made entirely by the platforms.
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Pricing for downloads is usually set by platforms. Streaming royalties are calculated by platforms and collection societies.
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This depends on whether your distribution arrangement is:
Exclusive, or
Non-exclusive
This will be clearly explained before any release is delivered.
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We will:
Follow agreed notice periods
Process takedowns where applicable
Please note:
Platform takedowns are not instant
Historical streaming data cannot be transferred
PUBLISHING
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Publishing administration means:
Registering your compositions correctly
Ensuring writer and publisher shares are recorded
Collecting income from performance, mechanical, and digital sources
Identifying missing or unmatched royalties
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Yes. You must remain a member of a performance rights organisation to receive your writer’s share.
We do not replace PRS or equivalent bodies - we work alongside them.
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All co-writers must:
Be declared
Agree on splits before registration
If splits are unclear or disputed:
Publishing income may be delayed
Sync opportunities may be blocked
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Often, yes - but:
It can take time
Some income may already be lost
We will advise honestly on what can and can’t be recovered.
SYNC
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Key factors include:
Broadcast-quality production
Clear ownership and splits
Universal or adaptable lyrics
Strong mood, energy, or emotional clarity
Great songs are not always great sync songs.
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No. We will only pitch music that:
Meets technical standards
Fits current briefs
Has cleared rights
Pitching unsuitable tracks damages relationships.
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The final decision is always made by:
The music supervisor
The client
The brand, network, or production company
Not HP Sync.
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Yes - frequently. Rejection is normal in sync and not a reflection of quality.
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Yes. You always retain final approval unless you have agreed otherwise in writing.
MONEY
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Income timelines vary:
Streaming: reported months in arrears
Publishing: often 6–12 months delayed
Sync: payment depends on client terms
There is no instant payout in sync or publishing.
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Payment methods and schedules are agreed during onboarding.
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Yes, where applicable - and only where agreed in advance.
We do not apply hidden fees.
CONTROL, EXIT AND SAFETY
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Yes, subject to:
Notice periods
Existing agreements
Ownership always remains yours.
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We will:
Process distribution changes
Transfer publishing administration where applicable
Some income may continue to flow from historic activity.
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This depends on whether services are exclusive or non-exclusive.
Each service is treated separately and explained clearly.
EXPECTATIONS AND RESPONSIBILITY
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We expect:
Professional-quality music
Honest ownership information
Patience and realistic expectations
Clear communication
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Ask. We would rather explain something twice than fix a problem later.
HP Sync operates on transparency, not promises. Distribution, publishing, and sync licensing are long-term processes that depend on many external factors. We are here to support, advise, and pitch - not to guarantee outcomes.